“I have my methods. Melusine—the real Melusine—evidently did not see him immediately, for her attention was on her descent from the high vehicle. But the love of life prevailed over his fears. He carried her in his arms up the steps, like a bride on her honeymoon. Wood cut him short by stating his intention of crossing the river as soon as possible in order to avoid the storm. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. ’ A sudden clatter of booted feet sounded in the hall beyond. “Indeed I shall not forget your offer. You can test it out on us this Thanksgiving Sunday.
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