“She was the High Priestess who turned me in Greece, before Rome. ” He signed his name and reflected. On taxing his recollection, the whole circumstance rushed to mind with painful distinctness. Taken altogether, his physiognomy resembled one of those vagabond heads which Murillo delighted to paint, and for which Guzman d'Alfarache, Lazarillo de Tormes, or Estevanillo Gonzalez might have sat:—faces that almost make one in love with roguery, they seem so full of vivacity and enjoyment.
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