“No, Lucy, it isn’t fine and I am sorry. She was vaguely happy over this arrangement which put her in the wing across the middle hall, alone. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. ‘Come on. I want to talk to him and go about with him. A maidservant held the front door open. I want to go to that because it’s a new experience, because I think it will be interesting and give me a view of things.
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