The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. It distressed and confused her that the girl should not come to her. Each became frightfully aware of the other as a plastic energetic body, of the strong muscles of neck against cheek, of hands gripping shoulder-blade and waist. His hand shook so violently that he dropped the handkerchief; and he let it lie on the floor because he dared not stoop. Instead had come this storm, this shouting, this weeping, this confusion of threats and irrelevant appeals.
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