” “You can make any arrangements you like,” Anna declared. Superstition—you knock into it whichever way you turn. She was not afraid of violence, but she was afraid of something mean, some secondary kind of force. Ascending the stairs, and conducting them along a sombre gallery, in which Trenchard noticed that every door was painted black, and numbered, he stopped at the entrance of a chamber; and, selecting a key from the bunch at his girdle, unlocked it. She herself, and one other there, recognized the interposition of something akin to tragedy.
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