“For Heaven’s sake, Dunster, don’t let her out of the carriage, or hansom, or whatever she came in. But you must come this way now. Her father was right: Ruth must never know. She turned with an effort. Spurling, and her now accepted suitor, resumed their seats. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. All these wonderful comrades, henceforth and for ever hers.
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