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The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. For a time she looked at no more apartments, and walked through gaunt and ill-cleaned streets, through the sordid under side of life, perplexed and troubled, ashamed of her previous obtuseness. She could feel his penis pressing against her, half-erect under the starched black tuxedo pants.

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