In Singapore that had been her only dissipation: a dozen pairs of silk stockings. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. What you want to do is to imagine every woman a Becky Sharp and every man a Rawdon Crawley. Something insisted that those two were mysteriously linked—that the woman knew the man was there. At length the task was done, and she jabbed the needle into a cushion, folded the coat, and rose.
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