It is Anna again who stands between me and ruin. He forgot for the moment his own self-pity, the egotism of his own passionate love. . ’ Gerald stood back, and watched her cross the room to the closed French doors. There was granite in her face and agate in her eyes. She felt much better. Mademoiselle has had no harm of me,’ Gerald said soothingly and bowed. They used the rope—not that a rope was at all necessary, but because Ann Veronica’s exalted state of mind made the fact of the rope agreeably symbolical; and, anyhow, it did insure a joint death in the event of some remotely possibly mischance.
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