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“Then some of your family history is known to me. She had black hair, fine eyebrows, and a clear complexion; and the forces that had modelled her features had loved and lingered at their work and made them subtle and fine. On one side of the handbill a print of the reigning sovereign, Anne, had been pinned over the portrait of William the Third, whose aquiline nose, keen eyes, and luxuriant wig, were just visible above the diadem of the queen. ’ ‘I think you—’ He broke off abruptly, astonished at what he had been about to say. The major hailed him with a show of relief. Melusine cast one swift glance at it, and her eyes, flashing magnificently, came back to his face. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. George for England' and a loyal ditty, then much in vogue, called 'True Protestant Gratitude, or, Britain's Thanksgiving for the First of August, Being the Day of His Majesty's Happy Accession to the Throne.

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